Tagalog grammar

Tagalog grammar (Tagalog: Balarilà ng Tagalog) are the rules that describe the structure of expressions in the Tagalog language, one of the languages in the Philippines.

In Tagalog, there are nine parts of speech: nouns (pangngalan), pronouns (panghalíp), verbs (pandiwà), adverbs (pang-abay), adjectives (pang-urì), prepositions (pang-ukol), conjunctions (pangatníg), ligatures (pang-angkóp) and particles.

Tagalog is an agglutinative yet slightly inflected language.

Pronouns are inflected for number and verbs for focus/voice and aspect.

Verbs

Tagalog verbs are complex and are changed by taking on many affixes reflecting focus/trigger, aspect and mood. Below is a chart of the main verbal affixes, which consist of a variety of prefixes, suffixes, infixes, and circumfixes.

Conventions used in the chart:

• CV~ stands for the reduplicated first syllable of a root word, specifically the first consonant and the first vowel of the word.
• N stands for a nasal consonant; originally it is ng, but it may change into n if the consonants d, t, or l directly succeeds the prefix, or it may change to m before the consonants b or p.
• ∅ means that the verb root is used, therefore no affixes are added.
• Punctuation marks indicate the type of affix a particular bound morpheme is:
  • hyphens mark prefixes if placed after the morpheme (e.g., mag-), and suffixes if placed before (e.g., -han)
  • ⟨⟩ marks infixes, which is typically placed in-between the first consonant and the first vowel of the word. The word "sumulat" (s⟨um⟩ulat), for example, is composed of the root word sulat and the infix ⟨um⟩.
  • ~ is used to separate the reduplicated morpheme (CV), from the root word, such that "susulat" is written as (su~sulat) and "sumusulat" as (s⟨um⟩u~sulat).

	Complete	Progressive	Contemplative	Infinitive	Imperative
Actor trigger I	⟨um⟩ bumasa	C⟨um⟩V~ bumabasa	CV~ babasa	⟨um⟩ bumasa	∅
Actor trigger II	nag- nagbasa	nag-CV~ nagbabasa	mag-CV~ magbabasa	mag- magbasa	pag- pagbasa
Actor trigger III	na- nabasa	na-CV~ nababasa	ma-CV~ mababasa	ma- mabasa	pa- pabasa
Actor trigger IV	naN- (nang-, nam-, nan-) nangbasa (nambasa)	naN-CV~ nangbabasa (nambabasa)	maN-CV~ mangbabasa (mambabasa)	maN- mangbasa (mambasa)	paN- pangbasa (pambasa)
Object trigger I	⟨in⟩ binasa	C⟨in⟩V~ binabasa	CV~ ... -(h)in babasahin	-(h)in basahin	-a (or verb root) basa
Object trigger II	i⟨in⟩- ibinasa	i-C⟨in⟩V~ ibinabasa	i-CV~ ibabasa	i- ibasa	-(h)an/-(h)in basaan
Object trigger III	⟨in⟩ ... -(h)an binasahan	C⟨in⟩V~ ... -(h)an binabasahan	CV~ ... -(h)an babasahan	-(h)an basahan	-(h)i basahi
Locative trigger	⟨in⟩ ... -(h)an binasahan	C⟨in⟩V~ ... -(h)an binabasahan	CV~ ... -(h)an babasahan	-(h)an basahan	∅
Benefactive trigger	i⟨in⟩- ibinasa	i-C⟨in⟩V~ ibinabasa	i-CV~ ibabasa	i- ibasa	∅
Instrument trigger	ip⟨in⟩aN- ipinambasa	ip⟨in⟩aN-CV~ ipinambabasa	ipaN-CV~ ipambabasa	ipaN- ipambasa	∅
Reason trigger	ik⟨in⟩a- ikinabasa	ik⟨in⟩a-CV~ ikinababasa	ika-CV~ ikababasa	ika- ikabasa	∅

With object-focus verbs in the completed and progressive aspects, the infix -in- frequently becomes the prefix ni- if the root word begins with /l/, /r/, /w/, or /j/; e.g., linalapitan or nilalapitan and inilagáy or ilinagáy.

When suffixing -in and -an to a word that ends in a vowel, an epenthetic h is inserted. This helps to distinguish them from words that have a glottal stop, which is usually not written except when diacritical marks are applied, such that "basa" (to read) becomes "basahin" while "basa" (to be wet, otherwise spelt as "basâ") becomes "basain" pronounced with the glottal stop still present.

The imperative affixes are not often used in Manila, but they do exist in other Tagalog speaking provinces.

Archaic Forms

	Complete	Progressive	Contemplative	Infinitive	Imperative
Archaic Actor trigger I (Unassimilated)	⟨ungm⟩ or ⟨ingm⟩ bungmasa, tingmingin	C⟨ungm⟩V~ or C⟨ingm⟩V~ bungmabasa, tingmitingin	CV~ babasa	⟨um⟩ bumasa	∅
Archaic Actor trigger I (Assimilated)	b/p → n nasa	b/p → n + REDUP nanasa	b/p → m + REDUP mamasa	b/p → m masa	∅

In old Tagalog, the complete and progressive aspects of actor trigger I was marked with the affix "-ungm-" or "-ingm-', while "-um-" was used solely as the infinitive form. The rule is that when a verb has an "i" in its initial syllable, the infix used is "-ingm-" like "tingmingin" (looked, complete aspect) and "tingmitingin" (is looking, progressive aspect), otherwise "-ungm-" is used. This is a case called vowel harmony. Another archaic feature is when a verb starts in a "b" or "p", which becomes an "n" for the complete and progressive aspects, and "m" for contemplative and infinitive. The word "pasok" (to enter) therefore becomes "nasok" (complete), "nanasok" (progressive), "mamasok" (contemplative), and "masok" (infinitive). Though these have been lost in the Manila dialect, they are preserved in some Tagalog dialects. The allophones "d" and "r" are still somewhat preserved when it comes to verbs like "dating (to arrive)" but it is sometimes ignored.

Trigger

The central feature of verbs in Tagalog and other Philippine languages is the trigger system, often called voice or focus. In this system, the thematic relation (agent, patient, or other oblique relations – location, direction, etc.) of the noun marked by the direct-case particle is encoded in the verb.

In its default unmarked form, the object trigger, the verb triggers a reading of the direct noun as the patient of the clause. In its second most common form, the actor trigger, it triggers the noun as the agent of the clause. Other triggers are location, beneficiary, instrument, reason, direction, and the reciprocal.

Object trigger forms

Otherwise known as the patient-trigger, there are three main affixes used in this form:

• -in is used for:
  • Items that are moved towards the actor: kainin (to eat something), bilhín (to buy something).
  • Items that are permanently changed: basagin (to crack something), patayín (to kill something).
  • Items that are thought of: isipin (to think of something), alalahanin (to remember something).
• i- is used for items which undergo a change of state such as being moved away from an actor: ibigáy (to give something), ilagáy (to put something), itaním (to plant something).
• -an is used for items undergoing a surface change (e.g., cleaning): hugasan (to rinse something), walisán (to sweep something off).

Affixes can also be used in nouns or adjectives: baligtaran (from baligtád, to reverse) (reversible), katamaran (from tamád, lazy) (laziness), kasabihán (from sabi, to say) (proverb), kasagutan (from sagót, answer), bayarín (from bayad, to pay) (payment), bukirín (from bukid, farm), lupaín (from lupa, land), pagkakaroón (from doón/roón, there) (having/appearance), and pagdárasál (from dasál, prayer). Verbs with affixes (mostly suffixes) are also used as nouns, which are differentiated by stress position. Examples are panoórin (to watch or view) and panoorín (materials to be watched or viewed), hangarín (to wish) and hangárin (goal/objective), arálin (to study) and aralín (studies), and bayáran (to pay) and bayarán (someone or something for hire).

Actor trigger forms

The actor trigger (or agent-trigger) affixes are -um-, mag-, mang-, and ma-. The difference between mag- and -um- is a source of confusion among learners of the language. Generally speaking, there are two main distinctions among many; mag- refers to externally directed actions and -um- for internally directed actions. For example, bumilí means to buy while magbilí means to sell. However this isn't writ law for these affixes; there are exceptions for example, mag-ahit means to shave oneself while umahit means to shave someone. magbilí and umahit are rarely used; in southern dialects of Tagalog na- is used instead of -um-.

ma- is used with only a few roots which are semantically intransitive, for example, matulog (to sleep). Ma- is not to be confused with ma-, the prefix for patient-triggered verb forms.

List of triggers and examples

The actor trigger marks the direct noun as the agent (doer) of the action:

• Bumilí ng saging ang lalaki sa tindahan para sa unggóy.

The man bought bananas at the store for the monkey.

The object trigger marks the direct noun as the patient (receiver) of the action:

• Binilí ng lalaki ang saging sa tindahan para sa unggóy.

The man bought the banana at the store for the monkey.

The locative trigger marks the direct noun as the location or direction of an action or the area affected by the action.

• Binilhán ng lalaki ng saging ang tindahan.

The man bought bananas at the store.

The benefactive trigger marks the direct noun as the person or thing that benefits from the action; i.e., the beneficiary of an action.

• Ibinilí ng lalaki ng saging ang unggóy.

The man bought bananas for the monkey.

The instrumental trigger marks the direct noun as the means by which the action is performed.

• Ipinambilí ng lalaki ng saging ang pera ng asawa niyá.

The man bought bananas with his spouse's money.

The reason trigger marks the direct noun as the cause or reason why an action is performed.

• Ikinagulat ng lalaki ang pagdatíng ng unggóy.

The man got surprised because of the monkey's arrival.

The directional trigger marks the direct noun as the direction the action will go to.

• Pinuntahan ng lalaki ang tindahan.

The man went to the store.

The reciprocal trigger refers to the action being done by the subjects at the same time. The subject is usually compound, plural or collective.

• Naghalikan ang magkasintahan.

The couple kissed (each other).

Aspect

The aspect of the verb indicates the progressiveness of the verb. It specifies whether the action happened, is happening, or will happen. Tagalog verbs are conjugated for time using aspect rather than tense, which can be easily expressed with phrases and time prepositions.

	Complete (Naganáp/Perpektibo)	Progressive (Nagaganap/Imperpektibo)	Contemplative (Magaganap/Kontemplatibo)	Recently Complete (Katatapos)
Tagalog	Nagluto ang babae	Nagluluto ang babae	Magluluto ang babae	Kaluluto lang ng babae
English translation	The woman cooked The woman has cooked	The woman cooks The woman is cooking	The woman will cook The woman is going to cook	The woman has just cooked

Infinitive (Pawatas)

This is the combination of the root word and an affix. This is the basis for most verbs.

Root Word (Salitáng-Ugát)	+ Affix (Panlapì)	= Infinitive (Pawatas)	= Verb (Pandiwa)
tukâ (peck)	+ um	= tumukâ (to peck)	= tumukâ (pecked), tumútukà (pecking), tútukà (will peck)
palít (exchange)	+ mag	= magpalít (to exchange)	= nagpalít (exchanged), nagpapalit (exchanging), magpapalit (will exchange)

Complete (Naganáp/Perpektibo)

This states that the action has been completed.

An infinitive with the affix um and a complete aspect are the same.

Root Word (Salitáng-Ugát)	+ Affix (Panlapì)	= Infinitive (Pawatas)	= Complete (Naganap/Perpektibo)
alís (leave)	+ um	= umalís (to leave)	= umalís (left)
kain (eat)	+ um	= kumain (to eat)	= kumain (ate)

An infinitive with the affixes ma, mag and mang will become na, nag and nang in the complete aspect.

Root Word (Salitáng-Ugát)	+ Affix (Panlapì)	= Infinitive (Pawatas)	= Complete (Naganap/Perpektibo)
tuwâ (laugh)	+ ma	= matuwâ (to laugh)	= natuwâ (laughed)
sulat (write)	+ mag	= magsulat (to write)	= nagsulat (wrote)
hingî (ask/request)	+ mang	= manghingî (to ask/to request)	= nanghingî (asked/requested)

The affix in in an infinitive will be a prefix if the root word begins with a vowel and an infix if the root word begins with a consonant. If the affix is hin, then hin will become in.

Root Word (Salitáng-Ugát)	+ Affix (Panlapì)	= Infinitive (Pawatas)	= Complete (Naganap/Perpektibo)
alís (remove)	+ in	= alisín (to remove)	= inalís (removed)
mahál (love)	+ in	= mahalín (to love)	= minahál (loved)
bása (read)	+ hin	= basahin (to read)	= binasa (read)

Progressive (Nagaganap/Imperpektibo)

This states that the action is still ongoing and still not done.

If the infinitive has the affix um, the first syllable or the first two letters of the root word will be repeated. Note that in certain contexts, the infinitive form can also mean that the action has been completed(Naganáp).

Root Word (Salitáng-Ugát)	+ Affix (Panlapì)	= Infinitive (Pawatas)	= Progressive (Nagaganap/Imperpektibo)
ulán (rain)	+ um	= umulán (to rain)	= umúulan (raining)
kantá (sing)	+ um	= kumantá (to sing)	= kumákanta (singing)

If the infinitive has the affixes ma, mag and mang, change it to na, nag and nang and repeat the first syllable or first two letters of the root word.

Root Word (Salitáng-Ugát)	+ Affix (Panlapì)	= Infinitive (Pawatas)	= Progressive (Nagaganap/Imperpektibo)
iyák (cry)	+ ma	= maiyák (to almost cry)	= naiiyák (almost crying)
linis (clean)	+ mag	= maglinis (to clean)	= naglilinis (cleaning)
bunggô (bump)	+ mang	= mangbunggô (to bump)	= nangbubunggò (bumping)

If the infinitive has the affixes in or hin and the root word starts with a vowel, put the affix at the start and repeat the first syllable or first two letters of the root word.

Root Word (Salitáng-Ugát)	+ Affix (Panlapì)	= Infinitive (Pawatas)	= Progressive (Nagaganap/Imperpektibo)
alís (remove)	+ in	= alisín (to remove)	= inaalís (removing)
unat (iron/stretch)	+ in	= unatin (to iron/to stretch)	= inuunat (ironing/stretching)

If the infinitive has the affixes in or hin and the root word starts with a consonant, make the affix into an infix and repeat the first syllable or first two letters of the root word.

Root Word (Salitáng-Ugát)	+ Affix (Panlapì)	= Infinitive (Pawatas)	= Progressive (Nagaganap/Imperpektibo)
mahál (love)	+ in	= mahalín (to love)	= mínamahal (loving)
gamót (cure)	+ in	= gamutín (to cure)	= gínagamot (curing)

Contemplative (Magaganap/Kontemplatibo)

This states that the action has not yet started but anticipated.

If the infinitive has the affix um, remove the um and repeat the first syllable or first two letters of the root word.

Root Word (Salitáng-Ugát)	+ Affix (Panlapì)	= Infinitive (Pawatas)	= Contemplative (Magaganap/Kontemplatibo)
asa (depend/expect)	+ um	= umasa (to depend/to expect)	= aasa (will depend/will expect)
lakad (walk)	+ um	= lumakad (to walk)	= lalakad (will walk)

If the infinitive has the affixes ma, mag and mang, retain it and repeat the first syllable or first two letters of the root word.

Root Word (Salitáng-Ugát)	+ Affix (Panlapì)	= Infinitive (Pawatas)	= Contemplative (Magaganap/Kontemplatibo)
tanáw (observe/look)	+ ma	= matanaw (to observe/to look)	= matatanaw (will observe/will look)
suót (wear)	+ mag	= magsuót (to wear)	= magsusuót (will wear)
hingî (ask/request)	+ mang	= manghingî (to ask/to request)	= manghihingî (will ask/will request)

If the infinitive has the affixes in or hin, retain it and repeat the first syllable or first two letters of the root word.

Root Word (Salitáng-Ugát)	+ Affix (Panlapì)	= Infinitive (Pawatas)	= Contemplative (Magaganap/Kontemplatibo)
yakap (hug)	+ in	= yakapin (to hug)	= yayakapin (will hug)
suklay (comb)	+ in	= sukláyin (to comb)	= susukláyin (will comb)
bilí (buy)	+ hin	= bilihin (to buy)	= bibilihin (will buy)

Recently Complete (Katatapos)

This states that the action has just been completed before the time of speaking or before a specified time.

Usually, the prefix ka is used and the first syllable or the first two letters of the root word will be repeated.

Root Word (Salitáng-Ugát)	+ Affix (Panlapì)	= Infinitive (Pawatas)	= Recently Complete (Katatapos)
mano (bless)	+ mag	= magmano (to bless)	= kamamano (recently blessed)
parusa (punish)	+ mag	= magparusa (to punish)	= kapaparusa (recently punished)
ligpít (clean/fix)	+ mag	= magligpít (to clean/to fix)	= kaliligpít (recently cleaned/recently fixed)

Mood

Tagalog verbs also have affixes expressing grammatical mood; some examples are indicative, potential, social, causative and distributed.

Indicative
Nagdalá siyá ng liham.
"(S)he brought a letter."

Bumilí kamí ng bigás sa palengke.
"We bought rice in the market."

Kumain akó.
"I ate."

Hindî siyá nagsásalitâ ng Tagalog.
"(S)he does not speak Tagalog."

Causative magpa-
Nagpadalá siyá ng liham sa kaniyáng iná.
"He sent (literally: caused to be brought) a letter to his mother."

Distributive maN-
Namilí kamí sa palengke.
"We went shopping in the market."

Social maki-
Nakikain akó sa mga kaibigan ko.
"I ate with my friends."

Potential maka-/makapag-
Hindî siyá nakapagsásalitâ ng Tagalog.
"(S)he was not able to speak Tagalog."

Nouns

While Tagalog nouns are not inflected, they are usually preceded by case-marking particles. These follow an Austronesian alignment, also known as a trigger system, which is a distinct feature of Austronesian languages. There are three basic cases: direct (or absolutive, often less accurately labeled the nominative); indirect (which may function as an ergative, accusative, or genitive); and oblique.

The direct case is used for intransitive clauses. In transitive clauses using the default grammatical voice (patient trigger) of Tagalog, the direct marks the patient (direct object) and the indirect marks the agent, corresponding to the subject in English. In the more marked voice (agent trigger) the reverse occurs, with the direct marking the agent and the indirect marking the patient. Because the base form of the clause is superficially similar to the passive voice in English, this has led to a misconception that Tagalog is spoken primarily in the passive voice. It is also superficially similar to ergative languages such as those of Australia, so Tagalog has also been analyzed as an ergative language. However, the English passive clause is intransitive, and likewise in ergative languages one of the voices forms an intransitive clause, whereas in Tagalog both voices are transitive, and so align well with neither nominative–accusative languages such as English nor with ergative languages.

One of the functions of voice in Tagalog is to code definiteness, analogous to the use of definite and indefinite articles in English. When the patient is marked with the direct case particle, it is generally definite, whereas when it is marked with the indirect case it is generally indefinite.

The oblique particle and the locative derived from it are similar to prepositions in English, marking things such as location and direction.

The case particles fall into two classes: one used with names of people (proper) and one for everything else (common).

The common indirect marker is spelled ng and pronounced [naŋ]. Mgá, pronounced [maˈŋa], marks the common plural.

Tagalog has associative plural in addition to additive plural.

Cases

		Direct (ang)	Indirect (ng)	Oblique (sa)
Common	singular	ang, 'yung (iyong)	ng, nu'ng (niyong)	sa
	plural	ang mgá, 'yung mgá (iyong mgá)	ng mgá, nu'ng mgá (niyong mgá)	sa mgá
Personal	singular	si	ni	kay
	plural	sina	nina	kina

Common noun affixes

ka-	indicating a companion or colleague
ka- -an	collective or abstract noun
pan-, pam-, pang-	denoting instrumental use of the noun

Examples

ex:

Dumatíng

(has) arrived

ang

the

lalaki.

man

Dumatíng ang lalaki.

{(has) arrived} the man

"The man arrived."

ex:

Nakita

saw

ni Juan

by (the) Juan

si María.

(the) María

Nakita {ni Juan} {si María.}

saw {by (the) Juan} {(the) María}

"Juan saw María."

Note that in Tagalog, even proper nouns require a case marker.

ex:

Pupunta

will go

siná

PL.NOM.ART

Elena

Elena

at

and

Roberto

Roberto

sa

at

bahay

house

ni

of

Miguel.

Miguel

Pupunta siná Elena at Roberto sa bahay ni Miguel.

{will go} PL.NOM.ART Elena and Roberto at house of Miguel

"Elena and Roberto will go to Miguel's house."

ex:

Nasaan

Where

ang mga

the.PL

libró?

book

Nasaan {ang mga} libró?

Where the.PL book

"Where are the books?"

ex:

Na kay

Is with

Tatay

Father

ang

the

susì.

key

{Na kay} Tatay ang susì.

{Is with} Father the key

"Father has the key."

ex:

Malusóg

Healthy

ang

(the)

sanggól

baby

niyó.

your(plural)

Malusóg ang sanggól niyó.

Healthy (the) baby your(plural)

"Your baby is healthy."

ex:

Para

For

kina

the.PL

Luis

Luis

ang

the

handaan..

party

Para kina Luis ang handaan..

For the.PL Luis the party

"The party is for Luis and the others."

CC BY 4.0 WALS

Pronouns

Like nouns, personal pronouns are categorized by case. As above, the indirect forms also function as the genitive.

			Direct (ang)	Indirect (ng)	Oblique (sa)
1st person	singular		akó	ko (nakin)	akin
	dual		kitá/kata	nita/nata (ta)	kanitá/kanata (ata)
	plural	inclusive	tayo	natin	atin
		exclusive	kamí	namin	amin
2nd person	singular		ikáw (ka)	mo (niyo)	iyó
	plural		kayó	ninyó	inyó
3rd person	singular		siyá	niyá	kaniyá
	plural		silá	nilá	kanilá

	Direct second person (ang) with Indirect (ng) first person
(to) you by/from me	kitá

Pronoun sequences are ko ikaw (kita), ko kayó, ko siyá, and ko silá.

Examples:
Sumulat akó.
"I wrote."

Sinulatan akó ng liham.
"He/She/They wrote me a letter."
Note: If "ng liham" is removed from the sentence, it becomes "I was written on"

Ibíbigay ko ito sa kaniyá.
"I will give this to him/her/them."

Genitive pronouns follow the word they modify. Oblique pronouns can take the place of the genitive pronoun but they precede the word they modify.

Ang bahay ko.
Ang aking bahay.
"My house."

The inclusive dual pronoun kata/kitá has largely disappeared from the Manila Dialect. It survives in other Tagalog dialects, particularly those spoken in the rural areas. However kitá is used to replace the pronoun sequence [verb] ko ikaw, (I [verb] you).

The 1st–2nd dual pronoun "kata/kitá" referring to "you and I" is traditionally used as follows:

Mágkaibigan kitá. (Manila Dialect: Mágkaibigan tayo.)
"You and I are friends." (Manila Dialect: “We are friends.")

Examples:

Mágkásintahan kitá.(We are lovers.)

Maayós áng bahay nita. (Our house is fixed.)

Magagandá áng mgá paróroonan sá kanitá. (The destinations are beautiful at ours.)

As previously mentioned, the pronoun sequence [verb] ko ikáw, (I [verb] you) may be replaced by kitá.

Mahál kitá.
"I love you."

Bíbigyan kitá ng pera.
"I will give you money."

Nakità kitá sa tindahan kahapon.
"I saw you at the store yesterday."

Kaibigan kitá.
"You are my friend."

The inclusive pronoun tayo refers to the first and second persons. It may also refer to a third person(s).

The exclusive pronoun kamí refers to the first and third persons but excludes the second.

Walâ tayong bigás.
"We (you and me) have no rice."

Walâ kaming bigás.
"We (someone else and me, but not you) have no rice."

The second person singular has two forms. Ikáw is the non-enclitic form while ka is the enclitic which never begins a sentence. The plural form kayó is also used politely in the singular, similar to French vous.

Native nouns are genderless, hence siyá means he, she, or they (singular).

Polite or formal usage

Tagalog, like many languages, marks the T–V distinction: when addressing a single person in polite/formal/respectful settings, pronouns from either the 2nd person plural or the 3rd person plural group are used instead of the singular 2nd person pronoun. They can be used with, or in lieu of, the pô/hô iterations without losing any degree of politeness, formality, or respect:

• ikáw or ka ("you" sgl.) becomes kayó ("you" pl.) or silá ("they")
• mo (post-substantive "your") becomes niyó or ninyó (more polite), (post-substantive "your" pl.) or nilá (post-substantive "their")
• iyó(ng) ("yours" sgl. or pre-substantive "your" sgl.) becomes inyó(ng) ("yours" pl. or pre-substantive "your" pl.) or kanilá(ng) ("theirs" or pre-substantive "their")

Example:
English: "What's your name?"
Casual: Anó'ng pangalan mo?
Respectful: Anó'ng pangalan ninyo? or Anó'ng pangalan nilá?

Using such pluralized pronouns is quite sufficient for expressing politeness, formality or respect, particularly when an affirmative (or negative) pô/hô iteration isn't necessary.

Additionally, the formal second-person pronouns Ikaw (Ka), Kayo, Mo, and Ninyo, third-person forms Niya and Siya, and their oblique forms Inyo, Iyo, and Kaniya are customarily and reverentially capitalized, particularly in most religion-related digital and printed media and their references. Purists who frame this capitalization as nonstandard and inconsistent do not apply it when typing or writing.

Demonstrative pronouns

Tagalog's demonstrative pronouns are as follows.

	Direct (ang)	Indirect (ng)	Oblique (sa)	Locative (nasa)	Existential	Manner (gaya)
Nearest to speaker (this, here)*	iré, aré	niré	díne/ríne	nandine(andine)/nárine	eré	ganiré
Near speaker and addressee (this, here)	itó	nitó	díto/ríto	nandíto(andíto)/nárito	éto/héto	ganitó
Nearest addressee (that, there)	iyán	niyán	diyán/riyán	nandiyán(andíyan)/náriyan	ayán/hayán	ganiyán
Remote (that, there)	iyón, yaón	niyón	doón/roón	nandoón(andoón)/nároon	ayón/hayón	ganoón (gayón/ganó'n)/ garoón

Notes:

- Although dine and dito both mean here, its difference is the first one pertains to the speaker only while the second one includes the listener. Lost in Standard Filipino/Tagalog (Manila dialect: dito) but still survive in province dialects like Batangas. The same goes for direct, indirect, oblique, locative, existential, and manner (nearest to speaker).

- Yaón is an old-fashioned word which means that.The modern word is iyón.

- The oblique are verbs and locative are pseudo-verbs; for instance, dumito, dumidito, and didito for oblique; and narito, naririto, and nandito for oblique. However, some are archaic and some are old-fashioned.

- Words like pariné, paritó, pariyón, and paroón are combined with pa+(oblique word). These were old-fashioned and/or archaic but still survive in dialects.

- The contractions are: 're, 'to, 'yan, 'yun, n'yan, gan'to, gan'yan, gan're, gano'n (gayon)

*Many Tagalog speakers may use itó in place of iré/aré.

Examples:

Anó itó?
"What's this?"

Sino ang lalaking iyón?
"Who is that man?"

Gáling kay Pedro ang liham na itó.
"This letter is from Pedro."

Nandito akó.
"I am here."

Kakain silá roón.
"They will eat there."

Saán ka man naróroon.
"Wherever you are."

Kumain niyán ang batà.
"The child ate some of that."

Ayón palá ang salamín mo!
"So that's where your glasses are!"

Heto isáng regalo para sa iyó.
"Here's a gift for you."

Adjectives

Just like English adjectives, Tagalog adjectives modify a noun or a pronoun.

Forms

Simple (Payák)

These consist of only the root word.

Examples: hinóg (ripe), sabog (exploded), ganda (beautiful)

Affixed (Maylapì)

These consist of the root word and one or more affixes.

Examples: tinanóng (questioned), kumakain (eating), nagmámahál (loving)

Repeating (Inuulit)

These are formed by the repetition of the whole or part of the root word.

Examples: puláng-pulá (really red), putíng-putî (really white), araw-araw (every day), gabí-gabí (every night)

Compound (Tambalan)

These are compound words.

Examples: ngiting-aso (literally: "dog smile", meaning: "big smile"), balát-sibuyas (literally: "onion-skinned", meaning: "crybaby")

Types

Descriptive (Panlarawan)

This states the size, color, form, smell, sound, texture, taste, and shape.

Examples: muntî (little), biluhabà (oval), matamis (sweet), malubhâ (serious)

Proper (Pantangì)

This states a specific noun. This consists of a common noun and a proper noun. The proper noun (that starts with a capital letter) is modifying the type of common noun.

Examples: wikang Ingles (English language), kulturang Espanyol (Spanish culture), pagkaing Iloko (Ilokano food)

Pamilang

This states the number, how many, or a position in order. This has multiple types.

• Sequence (Panunurán) – This states the position in an order. Examples: ikatló (third), una (first), pangalawá (second)
• Quantitative (Patakarán) – This states the actual number. Examples: isa (one), apat (four), limang libo (five thousand)
• Fraction (Pamahagì) – This states a part of a whole. Examples: kalahatì (half), limáng-kawaló (five-eights), sangkapat (fourth)
• Monetary (Pahalagá) – This states a price (equivalent to money) of a thing or any bought item. Examples: piso (one peso), limampung sentimo (fifty centavos), sandaang piso (one hundred pesos)
• Collective (Palansák) – This states a group of people or things. This identifies the number that forms that group. Examples: dalawahan (by two), sampú-sampû (by ten), animan (by six)
• Patakdâ – This states the exact and actual number. This cannot be added or subtracted. Examples: iisa (only one), dadalawa (only two), lilima (only five)

Degrees of Comparison

Just like English adjectives, Tagalog adjectives have 3 degrees of comparison.

Positive (Lantáy)

This only compares one noun/pronoun.

Example: maliít (small), kupas (peeled), matabâ (fat)

Comparative (Pahambíng)

This is used when 2 nouns/pronouns are being compared. This has multiple types.

• Similar (Magkatulad) – This is the comparison when the traits compared are fair. Usually, the prefixes ga-, sing-/kasíng-, and magsing-/magkasíng- are used.
• Dissimilar (Di-magkatulad) – This is the comparison if it shows the idea of disallowance, rejection or opposition.
  • Palamáng – the thing that is being compared has a positive trait. The words "higít", "lalo", "mas", "di-hamak" and others are used.
  • Pasahol – the thing that is being compared has a negative trait. The words "di-gaano", "di-gasino", "di-masyado" and others are used.

Superlative (Pasukdól)

This is the highest degree of comparison. This can be positive or negative. The prefix "pinaká" and the words "sobra", "ubod", "tunay", "talaga", "saksakan", and "hari ng ___" are used, as well as the repetition of the adjective.

Positive (Lantay)	Comparative (Pahambing)			Superlative (Pasukdol)
	Similar (Magkatulad)	Dissimilar (Di-magkatulad)
		Palamáng	Pasahol
pangit (ugly)	kasíng-pangit (as ugly as)	higít na pangit (uglier)	di-gaanong pangit (not that ugly)	pinakapangit (ugliest)
magandá (beautiful)	singgandá (as beautiful as)	mas magandá (more beautiful)	di-masyadong magandá (not that beautiful)	ubod ng gandá (most beautiful)
mabangó (fragrant)	magkasíng-bangó (as fragrant as)	lalong mabangó (more fragrant)	di-gasinong mabangó (not that fragrant)	tunay na mabangó (most fragrant)

Degrees of Description

These degrees have no comparison.

Lantáy

This is when the simple/plain form of the adjective is being used for description.

Examples: matalino (smart), palatawá (risible)

Katamtaman

This is when the adjective is accompanied by the words "medyo", "nang kauntî", "nang bahagyâ" or the repetition of the root word or the first two syllables of the root word.

Examples: medyo matabâ (somewhat fat), malakás nang bahagyâ (slightly strong), malakás-lakás (somewhat strong), matabáng nang kauntî (a little bit insipid)

Masidhî

This is when the adjective is accompanied by the words "napaka", "ubod ng", "saksakan ng", "talagáng", "sobrang", "masyadong" or the repetition of the whole adjective. The description in this degree is intense.

Examples: napakalakas (so strong), ubod ng baít (really kind), talagáng mabangó (truly fragrant), sobrang makinis (oversmooth)

Number

There are rules that are followed when forming adjectives that use the prefix "ma-".

Singular (Isahan)

When the adjective is describing only one noun/pronoun, "ma-" and the root word is used.

Examples: masayá (happy), malungkót (sad)

Plural (Maramihan)

When the adjective is describing two or more noun/pronoun, "ma-" is used and the first syllable or first two letters of the root word is repeated.

Examples: maliliít (small), magagandá (beautiful)

The word "mgá" is not needed if the noun/pronoun is right next to the adjective.

Example: Ang magagandáng damít ay kasya kiná Erica at Bel. (The beautiful clothes can fit to Erica and Bel.)

Ligature

The ligature (pang-angkóp) connects, or links, modifiers (like adjectives and adverbs) to the words that they are modifying. It has two allomorphs:

na

This is used if the preceding word ends with a consonant other than n. It is not combined with the preceding word but separated, appearing between the modifier and the word it modifies.

Example: mapágmahál na tao ("loving person")

-ng

This suffixed allomorph is used if the preceding word ends with a vowel or n; in the latter case, the final n is lost and replaced by the suffix:

Examples: mabuting nilaláng ng Diyos ("good creation of God"); huwarang mamámayán (huwaran + mamámayán) ("ideal citizen")

Conjunctions

Tagalog uses numerous conjunctions, and may belong to one of these possible functions:

1. separate non-contrasting ideas (e.g. at "and")
2. separate contrasting ideas (e.g. ngunit "but")
3. give explanations (e.g. kung "if")
4. provide circumstances (e.g. kapág "when")
5. indicate similarities (e.g. kung saán "where")
6. provide reasons (e.g. dahil "because")
7. indicate endings (e.g. upang "[in order] to")

Modifiers

Modifiers alter, qualify, clarify, or limit other elements in a sentence structure. They are optional grammatical elements but they change the meaning of the element they are modifying in particular ways. Examples of modifiers are adjectives (modifies nouns), adjectival clauses, adverbs (modifies verbs), and adverbial clauses. Nouns can also modify other nouns. In Tagalog, word categories are fluid: A word can sometimes be an adverb or an adjective depending on the word it modifies. If the word being modified is a noun, then the modifier is an adjective, if the word being modified is a verb, then it is an adverb. For example, the word 'mabilís' means 'fast' in English. The Tagalog word 'mabilís' can be used to describe nouns like 'kuneho' ('rabbit') in 'kunehong mabilís' ('quick rabbit'). In that phrase, 'mabilís' was used as an adjective. The same word can be used to describe verbs, one can say 'tumakbóng mabilís' which means 'quickly ran'. In that phrase, 'mabilis' was used as an adverb. The Tagalog word for 'rabbit' is 'kuneho' and 'ran' is 'tumakbó' but they showed up in the phrases as 'kuneho-ng' and 'tumakbó-ng'. Tagalog uses something called a "linker" that always surfaces in the context of modification. Modification only occurs when a linker is present. Tagalog has the linkers -ng and na. In the examples mentioned, the linker -ng was used because the word before the linker ends in a vowel. The second linker, na is used everywhere else (the na used in modification is not the same as the adverb na which means 'now' or 'already'). Seeing the enclitics -ng and na are good indications that there is modification in the clause. These linkers can appear before or after the modifier.

The following table summarizes the distribution of the linker:

Required	Prohibited
Attributive Adjective	Predicative Adjective
Adverbial modifier	Predicative Adverbial
Nominal Modifier	Predicative Nominal
Relative Clause	Matrix Clause

Sequence of modifiers in a noun phrase

The following tables show a possible word order of a noun phrase containing a modifier. Since word order is flexible in Tagalog, there are other possible ways in which one could say these phrases. To read more on Tagalog word order, head to the Word Order section.

	Marker	Possessive	Quantity	Verbal Phrase	Adjectives	Noun	Head Noun
Example	ang	kaniyáng	apat na	piniritong	mahabang	Vigang	lumpiâ
Gloss	the	her	four	fried	long	Vigan	spring roll
Translation	her four fried, long Vigan spring rolls
Example	iyáng	inyóng	limáng kahóng	binasag ng batang	putíng	Intsík na	pinggán
Gloss	those	your	five boxes	that the children broke	white	Chinese	plates
Translation	those five boxes of yours of white Chinese plates that the children broke

Enclitic particles

Tagalog has enclitic particles that have important information conveying different nuances in meaning. Below is a list of Tagalog's enclitic particles.

1. na and pa
   • na: now, already
   • pa: still, else, in addition, yet
2. man, kahit: even, even if, even though
3. bagamán: although
4. ngâ: indeed; used to affirm or to emphasise. Also softens imperatives.
5. din (after a vowel: rin): too, also
6. lamang (contracted as lang): limiting particle; only or just
7. daw (after a vowel: raw): a reporting particle that indicates the preceding information as secondhand; they say, he said, reportedly, supposedly, etc.
8. pô (less respectful form: hô): marker indicating politeness.
9. ba: used to end yes-and-no questions and optionally in other types of questions, similar to Japanese -ka and Chinese ma (嗎), but not entirely.
10. muna: for now, for a minute, and yet (when answering in the negative).
11. namán: used in making contrasts; softens requests; emphasis
12. kasí: expresses cause; because
13. kayâ: expresses wonder; I wonder; perhaps (we should do something); also optionally used in yes-and-no questions and other forms of questions
14. palá: expresses that the speaker has realized or suddenly remembered something; realization particle; apparently
15. yatà (contracted as/informal: atà): expresses uncertainty; probably, perhaps, seems
16. tulóy: used in cause and effect; as a result
17. sana: expresses hope, unrealized condition (with the verb in completed aspect), used in conditional sentences.

The order listed above is the order in which the particles follow if they are used in conjunction with each other. A more concise list of the orders of monosyllabic particles from Rubino (2002) is given below.

1. na / pa
2. ngâ
3. din ~ rin
4. daw ~ raw
5. pô / hô
6. ba

The particles na and pa cannot be used in conjunction with each other as well as pô and hô.

• Dumatíng na raw palá ang lola mo.

"Oh yes, your grandmother has apparently arrived."

• Palitán mo na rin.

"Do change it as well."

Note for "daw/raw and rin/din": If the preceding letter is a consonant except y and w, the letter d is used in any word, vice versa for r e.g., pagdárasal, instead of pagdádasal

Although in everyday speech, this rule is often ignored.

• Walâ pa yatang asawa ang kapatíd niyá.

"Perhaps his brother still hasn’t a wife."

• Itó lang kayâ ang ibibigáy nilá sa amin?

"I wonder, is the only thing that they'll be giving us?"

• Nag-aral ka na ba ng wikang Kastilà?

"Have you already studied the Spanish language?"

• Batà pa kasí.

"He's still young, is why."

• Pakisulat mo ngâ muna ang iyóng pangalan dito.

"Please, do write your name here first."

The words daw and raw, which mean “he said”/“she said”/“they said”, are sometimes joined to the real translations of “he said”/”she said”, which is sabi niyá, and “they said”, which is sabi nilá. They are also joined to the Tagalog of “you said”, which is sabi mo. But this time, both daw and raw mean “supposedly/reportedly”.

• Sabi raw niyá. / Sabi daw niyá.

"He/she supposedly said."

• Sabi raw nilá. / Sabi daw nilá.

"They supposedly said."

• Sabi mo raw. / Sabi mo daw.

"You supposedly said."

Although the word kasí is a native Tagalog word for “because” and not slang, it is still not used in formal writing. The Tagalog word for this is sapagká’t or sapagkát. Thus, the formal form of Batà pa kasí is Sapagká’t batà pa or Sapagkát batà pa. This is sometimes shortened to pagká’t or pagkát, so Sapagká’t batà pa is also written as Pagká’t batà pa or Pagkát batà pa. In both formal and everyday writing and speech, dahil sa (the oblique form of kasí; thus, its exact translation is “because of”) is also synonymous to sapagká’t (sapagkát), so the substitute of Sapagká’t batà pa for Batà pa kasí is Dahil sa batà pa. Most of the time in speech and writing (mostly every day and sometimes formal), dahil sa as the Tagalog of “because” is reduced to dahil, so Dahil sa batà pa is spoken simply as Dahil batà pa.

Word order

Tagalog has a flexible word order compared to English. While the verb always remains in the initial position, the order of noun phrase complements that follows is flexible. An example provided by Schacter and Otanes can be seen in (1).

(1)

Nagbigáy

gave

ng=libró

GEN=book

sa=babae

DAT=woman

ang=lalaki

NOM=man

(Kroeger, 1991: 136 (2))

 

Nagbigáy ng=libró sa=babae ang=lalaki

gave GEN=book DAT=woman NOM=man

The man gave the woman a book.

The flexibility of Tagalog word order can be seen in (2). There are six different ways of saying 'The man gave the woman a book.' in Tagalog. The following five sentences, along with the sentence from (1), include the same grammatical components and are all grammatical and identical in meaning but have different orders.

English: The man gave the woman a book.

(2) (Kroeger, 1991: 136 (2))

Nagbigáy gave ng=libró GEN=book ang=lalaki NOM=man sa=babae DAT=woman Nagbigáy ng=libró ang=lalaki sa=babae gave GEN=book NOM=man DAT=woman Nagbigáy gave sa=babae DAT=woman ng=libró GEN=book ang=lalaki NOM=man Nagbigáy sa=babae ng=libró ang=lalaki gave DAT=woman GEN=book NOM=man Nagbigáy gave sa=babae DAT=woman ang=lalaki NOM=man ng=libró GEN=book Nagbigáy sa=babae ang=lalaki ng=libró gave DAT=woman NOM=man GEN=book Nagbigáy gave ang=lalaki NOM=man sa=babae DAT=woman ng=libró GEN=book Nagbigáy ang=lalaki sa=babae ng=libró gave NOM=man DAT=woman GEN=book Nagbigáy gave ang=lalaki NOM=man ng=libró GEN=book sa=babae DAT=woman Nagbigáy ang=lalaki ng=libró sa=babae gave NOM=man GEN=book DAT=woman

The principles in (3) help to determine the ordering of possible noun phrase complements. In a basic clause where the patient takes the nominative case, principles (i) and (ii) requires the actor to precede the patient. In example (4a), the patient, 'liham' (letter) takes the nominative case and satisfies principles (i) and (ii). The example in (4b) shows that the opposite ordering of the agent and patient does not result in an ungrammatical sentence but rather an unnatural one in Tagalog.

(3) (Kroeger, 1991: 137 (3))	(i) Actor phrase tends to precede all other arguments
	(ii) Noun phrase which bears nominative case tends to follow all other arguments
	(iii) "Heavier" noun phrases tend to follow "lighter" noun phrases

(4a)

Sinulat

PERF=write

ni=Juan

GEN=John

ang=liham.

NOM=letter

(Kroeger, 1991: 137 (4))

 

Sinulat ni=Juan ang=liham.

PERF=write GEN=John NOM=letter

John wrote the letter.

(4b)

?Sinulat

PERF=write

ang=liham

NOM=letter

ni=Juan

GEN=John

(Kroeger, 1991: 137 (4))

 

?Sinulat ang=liham ni=Juan

PERF=write NOM=letter GEN=John

John wrote the letter.

In example (5), the verb, 'binihag', (captivated) is marked for active voice and results in the actor ('Kuya Louis') to take the nominative case. Example (5) doesn't satisfy principles (i) and (ii). That is, principle (i) requires the Actor ('Kuya Louis') to precede all other arguments. However, since the Actor also takes the nominative case, principle (ii) requires the phrase 'Kuya Louis' to come last. The preferred order of agent and patient in Tagalog active clauses is still being debated. Therefore, we can assume that there are two "unmarked" word orders: VSO or VOS.

(5)

Binihag

PERF-capture-OV

si=Kuya Luis

NOM=big brother Luis

ng=kagandahan

GEN=beauty

ni=Emma

GEN=Emma

(Kroeger, 1991: 137 (5))

 

Binihag {si=Kuya Luis} ng=kagandahan ni=Emma

PERF-capture-OV {NOM=big brother Luis} GEN=beauty GEN=Emma

Big brother Luis was captivated by Emma's beauty.

A change in word order and trigger generally corresponds to a change in definiteness ("the" vs "a") in English. Example (6) shows a change in word order, triggered by the indirect, "ng." Example (7) shows a change in word order, triggered by the direct, "ang."

DIR:direct INDIR:indirect

(6)

B(in)asa

P=read

ng

INDIR

tao

person

ang

DIR

libró.

book

B(in)asa ng tao ang libró.

P=read INDIR person DIR book

A person read the book.

(7)

B(um)asa

A=read

ang

DIR

tao

person

ng

INDIR

libró

book

B(um)asa ang tao ng libró

A=read DIR person INDIR book

The person read a book.

Word order may be inverted (referred to in Tagalog grammar as Kabalikáng Anyô) by way of the inversion marker 'ay ' ( ’y after vowels in informal speech, not usually used in writing). Contrary to popular belief, this is not the copula 'to be' as 'ay' does not behave as an existential marker in an SVO structure and an inverted form VSO does not require 'ay' since the existentiality is denoted by case marking. A slight, but optional, pause in speech or a comma in writing may replace the inversion marker. This construction is often viewed by native speakers as formal or literary.

In this construction (ay-inversion), the 'ay' appears between the fronted constituent and the remainder of the clause. The fronted constituent in the construction includes locations and adverbs. Example (8)- (11) shows the inverted form of the sentences in the previous examples above.

(8)

Ang

DIR

batà

child

ay

ay

kumakantá

singing

Ang batà ay kumakantá

DIR child ay singing

The child is singing.

(9)

Ang

DIR

serbesa

beer

'y

ay

iniinom

drinking

nila

them

Ang serbesa 'y iniinom nila

DIR beer ay drinking them

They are drinking the beer.

(10)

Ang

DIR

mga=dalaga

PL=girls

'y

ay

magagandá.

beautiful

Ang mga=dalaga 'y magagandá.

DIR PL=girls ay beautiful

The girls are beautiful.

(11)

Ang

DIR

ulán

rain

ay

ay

malakás

strong

Ang ulán ay malakás

DIR rain ay strong

The rain is strong.

In (8) and (11), the fronted constituent is the subject. On the other hand, in (9), the fronted constituent is the object. Another example of a fronted constituent in Tagalog is, wh-phrases. Wh-phrases include interrogative questions that begin with: who, what, where, when, why, and how. In Tagalog, wh-phrases occur to the left of the clause. For example, in the sentence, 'Who are you?', which translates to, 'Sino ka?' occurs to the left of the clause. The syntactic tree of this sentence is found in (12a). As we can see in (12a), the complementizer position is null. However, in the case where an overt complementizer is present, Sabbagh (2014) proposes that the wh-phrase lowers from Spec, CP, and adjoins to TP when C is overt (12b). The operation in (12b) is known as, WhP lowering.

(12a) Syntax tree, made with http://mshang.ca/syntree/

(12a), Syntax tree adapted from Sabbagh (2014), example 62, made with http://mshang.ca/syntree/

This operation of lowering can also be applied in sentences to account for the verb-initial word order in Tagalog. The subject-lowering analysis states that "the subject lowers from Spec, TP and adjoins to a projection dominated by TP.". If we use the example from (2), Nagbigáy ang lalaki ng libró sa babae. and applied subject lowering, we would see the syntax tree in (13a).If we lowered the subject, ang lalaki, to an intermediate position within VP, we would be able to achieve a VOS word order and still satisfy subject lowering. This can be seen in (13b).

(13a) Syntax tree, adapted from Sabbagh (2014), 70 (55), made with http://mshang.ca/syntree/

Lowering is motivated by a prosodic constraint called, WeakStart. This constraint is largely based on the phonological hierarchy. This constraint requires the first phonological element within a phonological domain to be lower on the prosodic hierarchy than elements that follow it, within the same domain.

Negation

There are three negation words: hindî, walâ, and huwág.

Hindî negates verbs and equations. It is sometimes contracted to ‘dî.

• Hindî akó magtatrabaho bukas.

"I will not work tomorrow."

• Hindî mayaman ang babae.

"The woman is not rich."

Walâ is the opposite of may and mayroón ("there is").

• Walâ akóng pera.
• Akó ay waláng pera.

"I do not have money."

• Waláng libró sa loób ng bahay niyá.

"There are no books in his house."

Huwág is used in expressing negative commands. It can be used for the infinitive and the future aspect. It is contracted as ‘wag.

• Huwág kang umiyák.

"Do not cry."

• Huwág kayóng tumakbó rito.

"Do not run here."

There are two (or more) special negative forms for common verbs:

• Gustó/Ibig/Nais ko nang kumain.

"I would like to eat now." (Positive)

• Ayaw ko pang kumain.

"I don't want to eat yet." (Negative)

Interrogative words

Tagalog's interrogative words are: alín, anó, bákit, gaáno, gaálin, makáilan, ilán, kailán, kaníno, kumustá, magkáno, nakaníno, nasaán, níno, paáno, pasaán, saán, tagasaán, and síno. With the exceptions of bakit, kamustá(maáno), and nasaán, all of the interrogative words have optional plural forms which are formed by reduplication. They are used when the person who is asking the question anticipates a plural answer and can be called wh-phrases. The syntactic position of these types of phrases can be seen in (12a).

(14a)

Alíng

Which

palda

skirt

ang

DEF

gustó

like

mo?

you

Alíng palda ang gustó mo?

Which skirt DEF like you

Which skirt do you like?

(14b)

Anó

What

ang

DEF

ginagawâ

doing

mo?

you?

Anó ang ginagawâ mo?

What DEF doing you?

What are you doing?

(14c)

Bakit

Why

nasa

in

Barcelona

Barcelona

sila?

they

Bakit nasa Barcelona sila?

Why in Barcelona they

Why are they in Barcelona?

(14d)

Kailán

When

uuwì

go home

si-=Victor

Victor

Kailán uuwì si-=Victor

When {go home} Victor

When will Victor go home?

(14e)

Nasaán

Where

si=Antonia?

Antonia

Nasaán si=Antonia?

Where Antonia

Where is Antonia?

Gaano (from ga- + anó) means how but is used in inquiring about the quality of an adjective or an adverb. The root word of the modifier is prefixed with ga- in this construction (16a).Ilán means how many (16b). Kumustá is used to inquire how something is (are).(16c) It is frequently used as a greeting meaning How are you? It is derived from the Spanish ¿cómo está?. Magkano (from mag- + gaano) means how much and is usually used in inquiring the price of something (16d). Paano (from pa- + anó) is used in asking how something is done or happened (16e).

(15a)

Gaano

How

ka

you

katagál

long

sa

in

Montreal?

Montreal?

Gaano ka katagál sa Montreal?

How you long in Montreal?

How long will you be in Montreal?

(15b)

Iláng

How many

taón

year

ka

you

na?

now?

Iláng taón ka na?

{How many} year you now?

How old are you?

(15c)

Kumusta

How

ka?

you?

Kumusta ka?

How you?

How are you?

(15d)

Magkano

How much

ang

DEF

kotseng

car

iyón?

that

Magkano ang kotseng iyón?

{How much} DEF car that

How much is that car?

(15e)

Paano

How

mo

you

gagawin?

do

Paano mo gagawin?

How you do

How will you do this?

(15f)

Gaalin

How long

galíng

from

dito

here

hanggang

to

doon?

there

Gaalin galíng dito hanggang doon?

{How long} from here to there

How long does it take from here to there?

Nino (from ni + anó) means who, whose, and whom (18a). It is the indirect and genitive form of sino. Sino (from si + anó) means who and whom and it is in the direct form (18b). Kanino (from kay + anó) means whom or whose (18c). It is the oblique form of sino (who).

(18a)

Ginawâ

PAST=do

nino?

Who

Ginawâ nino?

PAST=do Who

Who did it?

(18b)

Sino

Who

siyá

she/he

Sino siyá

Who she/he

Who is he/she?

(18c)

Kanino

Whose

itó

this

Kanino itó

Whose this

Whose is this?

See also

• Abakada alphabet
• Commission on the Filipino Language
• Filipino alphabet
• Filipino orthography
• Tagalog phonology
• Old Tagalog

Bibliography

• Kroeger, P. R. (1991). Phrase structure and grammatical relations in Tagalog
• Ramos, T. (1971). Tagalog Structures. Honolulu, HI: University of Hawaii Press. p. 126.
• Rubino, C. (2002). Tagalog-English, English-Tagalog dictionary / Taláhuluganang Pilipino-Ingglés, Ingglés-Pilipino Taláhuluganang. Conshohocken, PA: Hippocrene Books.
• Sabbagh, J. (2014). Word order and Prosodic‐Structure constraints in Tagalog. Syntax, 17(1), 40–89. doi:10.1111/synt.12012
• Sabbagh, J. (2011). Adjectival passives and the structure of VP in Tagalog. Lingua, 121, 1424–1452. doi:10.1016/j.lingua.2011.03.006
• Scontras, G. & Nicolae A. (2014). Saturating syntax: Linkers and modification in Tagalog. Lingua, 149, 17–33. doi:10.1016/j.lingua.2014.05.005
• Baybayin: Paglalayag sa Wika at Panitikan 8 by Remedios Infantado ISBN 978-971-23-7030-4 pp. 133–134, 169
• Bagong Likha: Wika at Pagbasa 4, by Ester V. Raflores ISBN 978-971-655-331-4, pp. 239, 252–253, 267–268, 283, 326–327, 341–342
• Pinagyamang Pluma 9, by Ailene G. Baisa-Julian, Mary Grace G. del Rosario, Nestor S. Lontoc ISBN 978-971-06-3652-5, p. 86, 383
• mga-uri-ng-pang-uri.pdf. samutsamot.files.wordpress.com. Retrieved 19 June 2019.
• Baybayin: Paglalayag sa Wika at Panitikan 7 by Ramilito Correa ISBN 978-971-23-7028-1 p. 19

External links

• Tagalog grammar Free and comprehensive Tagalog grammar reference
• Interactive Language and Filipino Culture Resources Part of the SEAsite Project at Northern Illinois University, DeKalb, Illinois, USA