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CANO

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CANO
OriginSudbury, Ontario, Canada
GenresProgressive rock
Years active1975 (1975)–1985 (1985)
Past membersAndré Paiement
Rachel Paiement
Wasyl Kohut
Marcel Aymar
David Burt
Michel Kendel
John Doerr
Michel Dasti
Bill Cymbala
Ben Mink
Mary Lu Zahalan

CANO, a Canadian progressive rock band of the 1970s and 1980s, was the most successful popular musical group in Franco-Ontarian history.[1][2]

Origins

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CANO evolved out of the Coopérative des artistes du Nouvel-Ontario (Artists' Cooperative of Northern Ontario), an artists' collective established in Sudbury, Ontario, in 1970.[3][4] The cooperative was responsible for developing many of the current cultural institutions of the city's Franco-Ontarian community. The Galerie du Nouvel-Ontario, Prise de Parole publishing house, Théâtre du Nouvel-Ontario, La Nuit sur l'étang and CANO-Musique, as the band was then called, all evolved out of projects launched by artists associated with the cooperative.[4]

While based in Sudbury, the cooperative bought an abandoned 320-acre farm in Earlton that became an artists' haven and buffalo ranch.[5]

Musical group

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The group consisted of singer-guitarists André Paiement and Rachel Paiement, violinist Wasyl Kohut, guitarists Marcel Aymar and David Burt, pianist Michel Kendel, bassist John Doerr and drummer Michel Dasti. The band was formed in the fall of 1975,[4] and performed its first concert on December 1 at La Slague in Sudbury.[6][7][8]

The band also recorded its debut album, Tous dans l'même bateau, released in 1976. The production studio was a converted building on the Paiements' farm near Sturgeon Falls.[9]

The band performed both traditional French folk songs and original material by Aymar, the Paiements and Robert Dickson. With its third album, Eclipse, CANO began performing English-language songs as well;[10] the fourth album, Rendezvous, consisted predominantly of English songs as the band made a bid for success in the larger English-language market.[11] The band was most successful on francophone pop charts in Quebec and France, but had notable hits in English Canada as well.[1] Eclipse and Rendezvous, notably, both charted on CFNY,[12] while the singles "Rebound" and "Carrie" reached No. 97 and No. 78 respectively on the RPM charts in 1979 and 1980.[13]

In 1978, the band was shaken by the suicide of André Paiement.[11][14]

The following year, the band was profiled in the National Film Board documentary, CANO, Notes on a Collective Experience.[15][16]

Spirit of the North, a compilation issued in 1980, traced CANO's integration of pop, rock and jazz influences into what was originally a folk-based style.[11] In the same year, some of the band's music appeared in the documentary film, A Wives' Tale (Une histoire de femmes), on the 1978 Inco strike in Sudbury.

Following the departure of Rachel Paiement in 1980, the band released the album, Camouflage, under the band name Masque; it was the band's only fully English-language album.[17] Kohut died of a cerebral hemorrhage in 1981, just weeks after the album's release, and was replaced by Ben Mink.[17] By this time, the band was based in Toronto.

CITY-TV used a track by the band as its theme song for Great Movies in the 1980s,[18] and the band also recorded music for several National Film Board productions.[18]

In 1984, Aymar, Burt, Mink, Mary Lu Zahalan and Rob Yale recorded the band's final album, Visible,[18] and played concerts in Ontario, Quebec, and Japan before disbanding.

Revival

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In 2003, Universal Music Canada released a CANO greatest hits compilation as part of its 20th Century Masters series.[19]

The band released Rendezvous on the iTunes platform in summer 2008 and Eclipse in spring 2009.

CANO gave a reunion show at the 2010 La Nuit sur l'étang festival, with Monique Paiement, André and Rachel's younger sister, on lead vocals.[20]

Celebrating 35 years of CANO in 2011, Aymar, Burt, Doerr, Dasti and Kendel reunited again in June 2011 for a series of concerts in Ottawa, North Bay, Sturgeon Falls and Kapuskasing, with Michel Bénac of Swing, Monique Paiement, Andrea Lindsay and Stéphane Paquette as supporting musicians.[7] The Ottawa concert was recorded for broadcast on TFO.[7]

Legacy

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CANO was involved in the creation of two music festivals in Sudbury, the bilingual folk festival Northern Lights Festival Boréal and the Franco-Ontarian cultural festival La Nuit sur l'étang.[4] Both festivals continue to operate today.

In 2021, two classic CANO songs from the band's first album, André Paiement's "Dimanche après-midi" and Marcel Aymar's "Baie Sainte-Marie," were inducted into the Canadian Songwriters Hall of Fame.[21][22][23][24]

Discography

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References

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  1. ^ a b "CANO". The Canadian Encyclopedia. 2006-02-07. Retrieved 2022-02-18.
  2. ^ "Francophones plan talent contest". The Globe and Mail, May 10, 1984.
  3. ^ Arnopoulos, Sheila McLeod (1982). Voices from French Ontario. McGill-Queen's University Press. pp. 26–33. ISBN 0773504052.
  4. ^ a b c d Kuzyk, Jane. "That Band from Sudbury." The Globe and Mail, November 30, 1977.
  5. ^ Dumont, Marc (2022-01-24). "Les 50 ans de CANO à Earlton". norddelontario.ca. Retrieved 2022-01-28.
  6. ^ "CANO interview with David Colin Burt", ProgArchives.com
  7. ^ a b c Marc André Joanisse (June 16, 2011). "Un dernier "gros show" pour CANO". Le Droit. Archived from the original on July 28, 2012. Retrieved 22 January 2012.
  8. ^ Sylvestre, Paul-François (2006-02-20). "Le gros show CANO en concert : Il y a 30 ans". l-express.ca. Retrieved 2021-11-09.
  9. ^ "CANO discography". CanadianBands.com. Retrieved 2022-01-28.
  10. ^ Johnson, B. Derek. "On Death, Utopian Socialism, and Gang's Haunting Echoes," Globe and Mail, Oct. 11, 1978, p. A3
  11. ^ a b c "CANO leaves roots behind in pursuit of masses". Toronto Star, March 21, 1980.
  12. ^ "CFNY Charts". Spiritofradio.ca. Retrieved 2022-02-18.
  13. ^ "RPM". Library and Archives Canada. Retrieved 2022-02-18.
  14. ^ Hopkins, Thomas (1978-09-25). "From the ashes of tragedy CANO goes international". Maclean's. Retrieved 2022-02-18.
  15. ^ "CANO, Notes on a Collective Experience". National Film Board of Canada. 1979. Retrieved 2022-02-18.
  16. ^ Ménard, Jacques (1979). "Sur film; Cano : notes sur une expérience collective". Liaison. Retrieved 2022-02-18.
  17. ^ a b Niester, Allan. "Masque is still a band that merits attention". The Globe and Mail, May 15, 1982.
  18. ^ a b c "Bravo CANO! Local fans revel in revitalized band". Toronto Star, February 14, 1985.
  19. ^ "The Best of CANO (Twentieth Century Masters)". Progarchives. 2003. Retrieved 2022-02-18.
  20. ^ "CANO reunites at La Nuit sur l'étang". Northern Life, March 30, 2010.
  21. ^ Aymar, Marcel (2021-06-21). "Le groupe franco-ontarien CANO honoré". Culture Club (Interview). Interviewed by René Homier-Roy. Radio-Canada. Retrieved 2022-01-28.
  22. ^ "Dimanche après-midi / Baie Sainte-Marie: Two of Cano's classics inducted to the Canadian Songwriters Hall of Fame" (Press release). Canadian Songwriters Hall of Fame. 2021. Retrieved 2022-01-28.
  23. ^ Boulianne, Mario (2021-06-10). "La musique de CANO au Panthéon des auteurs et compositeurs canadiens". Francopresse, Le Droit. Retrieved 2022-01-28.
  24. ^ D'Amours, Christelle (2021-06-10). "La musique franco-ontarienne de CANO intronisée au Panthéon". Radio-Canada. Retrieved 2022-02-19.
  25. ^ CANO (1980). "Spirit of the North". Discogs. Retrieved 2022-02-18.
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